Diving Into Documentary Production

Diving into documentary production is much like diving into the ocean: it’s breathtakingly beautiful, but it can also be overwhelming.

A year ago today, I said goodbye to my family to spend two and a half months in Guatemala working on my film, “Becoming Fools”. I was eager to get to Guatemala and start capturing the story. Prior to my trip, I had been directing the production from the U.S. for a couple of months, which proved to be quite frustrating. Every day brought new conflicts and obstacles that seemed to hinder our progress. It certainly felt that way, especially since bad news travels fast, particularly when you’re trying to achieve something positive. So, I boarded a plane to immerse myself in this film and pursue what I felt called to do.

Saying goodbye to my son to go to Guatemala for 2.5 months to produce Becoming Fools.

I thought that being in Guatemala would somehow bring continuity to our production. I believed that things would become easier with my physical presence in the country. But I was mistaken. Proximity to conflict does not provide an advantage in controlling it. It wasn’t any easier; it was just a different kind of difficulty—one that was, in many ways, even more challenging. I found myself closer to the waves that constantly crashed down on everything, quickly getting swept out to sea just like everyone else.

However, I know two essential things about waves that also apply to documentary film production: 

1. Don’t fight the current.

2. Never swim alone.

Charles Dickens captured this irony perfectly when he wrote, “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness…” This prophetic description certainly applied to the Becoming Fools production. It was grueling, stressful, and at times absolutely heart-wrenching. Yet, it was also one of the most joyful periods of my life. I joined hands with close friends and intentionally dove into the crushing breakers because we believed in something greater than ourselves. We were all swept away by the crashing waves and pushed beyond our comfort zones. But somehow, being together made it better because we weren’t swimming alone. This sense of community—mutual trust and interdependence—gave us the confidence to persevere in the face of enormous adversity. We all dove in together.

Ironically, none of us knew how to swim in the first place. None of us had the capacity to achieve our goal. We had all failed at some point. We weren’t the dream team, and at times it felt like a real nightmare. Yet, our group of seemingly incapable individuals became capable because we were called together by the One who makes all things possible. In this calling, my incapacity provided strength for someone else, and vice versa, when we committed to each other in the collaborative process.

However, working together isn’t easy. It can be chaotic and filled with dysfunction. We all make mistakes and may hurt each other in ways that seem to hinder any progress. A group of frightened people climbing on each other while gasping for air in a surging tide will almost certainly drown one another. But we have a life raft if we choose the right perspective. Over time, the ugliness can cancel itself out in a beautiful equation of grace, provided that it is built on a foundation of God’s love. That love compensates for our mistakes and transforms our self-ambition into a sacrifice for others. Thankfully, that love is a life raft big enough for all of us.

I dove into the ocean of documentary production hoping to make a difference in the lives of youth living on the streets. For the past year, I have been tossed around by a current I cannot control, and I still don’t know where it will take me. Yet, with the support of my fellow fools, I will continue to hold on to this life raft of love that transforms an ocean filled with broken people into an ark of redeeming grace, capable of bringing hope to distant shores.

More Than A Trophy

We gained more than a trophy at the Omaha Film Festival.

Despite experiencing a complete white-out blizzard, the turnout for the screening was quite decent. Over 50 students, teachers, filmmakers, parents, grandparents, friends, and family members braved the snow to see “Becoming Fools” in Omaha. We learned that at least another 100 people had planned to attend but were unable to make it due to the weather. Ironically, Omaha had enjoyed 60-degree weather every day leading up to the screening. This was an emotional challenge for us, but we quickly accepted that we have no control over the weather.

The aftermath of the blizzard in Omaha, Nebraska.

I found myself at peace when the Becoming Fools title sequence began to play, despite knowing that the film was not yet entirely finished. There were still grammatical errors in the subtitles, audio in a few scenes needed to be remixed, and none of the beautiful animation our friend Beaux is working on, had been edited into the film. These things just couldn’t be finished in time for the screening. But these things were small in the scope of all the work already completed – and hopefully, most people wouldn’t notice.

After the film ended, I had the opportunity to answer questions from the audience. As a filmmaker, this is a golden opportunity to get feedback and gauge the impact. I was delighted to answer questions about the production and our motivation to produce the film. I even called attention to our son Micah as a visual aide, noting that children as young as him were living in the streets alone. I could sense the weight of this reality sinking in as audience members gasped and shook their heads in disbelief.

Our sons wearing clown noses at the Omaha Film Festival.

At one point, someone asked me if we had staged a specific scene in the film. I tried not to smile too much when I answered the question because it was a legitimate thought. After all, the scene in question could seem “too good to be true.” I responded:

“I know it could appear too good to be true, but in all honesty, that is how it happened. I wish I could have had some control over the film because I certainly would have done many things differently.”

But I didn’t have control, and I still don’t (obviously— I mean, there was a blizzard on our screening day!). The truth is, I will never have control.

The story captured and presented in “Becoming Fools” is an authentic depiction of chaos made beautiful by a God who knows much more, cares much more, and ultimately loves much more than I do. The film showcases incredible grace, but it doesn’t end with everything wrapped in a bow. That simply isn’t reality. These kids are still living on the streets. Some have intentionally gone to jail. Others have been hospitalized due to knife wounds. Their status has changed several times since we began post-production, because that is the nature of life on the streets.

We hope to finish the film this month and start planning a fall screening tour, but we don’t have control over that either. We have dipped deep into our savings to finish the film and don’t have the resources needed for a screening tour. However, we trust that the necessary resources will be provided. We hope that others will choose to join us in “Becoming Fools”.

This journey has been chaotic, yet beautiful in the midst of that chaos. We didn’t set out to tell this story because we knew how it would end; we felt called to authentically amplify the voices of these youth living on the streets, hoping that audiences would want to join the effort to make a difference. We didn’t win any awards at the Omaha Film Festival, but the audience affirmed our hope. Several people shared how the film inspired them to engage with the issue of at-risk youth. To us, that’s worth more than a trophy.